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City Lights

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Afifa Hanif
City Lights

Charlie Chaplin’s “City Lights’ brilliantly present the genius that he was. The film was made in 1931. although sound was being introduced in the world of TV, but still Charlie went on without the sound effect. However he incorporated a delightful music album for the background. 

This film contains melodrama, unforced coordination of body and mind and an elegant grace of the actor’s efforts.

The little Tramp was once the most famous man on Earth.



Charlie Chaplin the Silent Hero:

Chaplin’s musical genius is that of organized revolt against conventions, combined with perfect feeling for the real thing.” - Ray Rasch.
As Brock remarks, “His writing was so moment-specific, so tightly synchronized, that one can nearly follow a Chaplin film by only hearing its score without the benefit of the image.



Understatement and the Unseen Powers:

This film has described the notion of unseen powers and the ability of the underground. The last scenes are called “Beautiful Impossibility” impossibility of creating such natural scenes yet so grandeur on the screen. 


The understatement and the unseen of his ability creates a magic on the screen.

The weirdly odd humor of the actor was deeply rooted to the serious concerns of daily modern life. The trauma of his real life was tastefully changed into the eccentric humor for people all over the world.


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